As the first Turkish-language radio station in Germany, Metropol FM made a pretty good impression on the Turkish-speaking residents of Berlin. Their radio programs are mainly for news in both Turkish and German, providing listeners with the information they need on important issues such as early childhood education or outside education options. outside of school. If you love metropol fm radio, click on the link https://internetradiohoren.de/popmusik/radio-metropol-fm/ to listen now.
Unlike other Turkish media projects in Germany, such as the open-access cable channel OKB or the public service radio MultiKulti, which have already resonated among immigrants for being so articulate. 'extremist' views of the right wing, Islam or Kurdish nationalism, Metropol FM carefully avoids any project. controversial political-cultural or religious issues that may lead to discredit and/or polarization among the target audience. The reason for this is clearly commercial: if the station's target audience is Turkish-speaking immigrants from Turkey, it cannot alienate them by offering any any process that might raise concerns about a controversial topic such as Kurdish independence in Turkey or the difference between Alevi and Sunni Muslims.
Metropol FM's success in bringing to its audience both the general public and the casual, as well as creating an audible presence in the city, has thus contributed to a sense of belonging among the people. urban Turkish speaking from Turkey. It allows listeners to imagine themselves as part of an imaginary minority community that is both normal and overt, a feeling that has been emphasized by scholars such as Peter Anderson in relation to the context of sound mediating context. daily routines (Anderson, 1991).
Although it did not meet Habermas' criteria for the public function of the media, Metropol FM played an important role in contributing to the public perception of Turkish-speaking citizens living in Berlin is both an urban space and a distinct ethnic group. It's also the best example I've found of creating a publicly available, mediated soundscape that allows the imaginations of this imaginative minority to animate everyday life. .
Unlike other Turkish media projects in Germany, such as the open-access cable channel OKB or the public service radio MultiKulti, which have already resonated among immigrants for being so articulate. 'extremist' views of the right wing, Islam or Kurdish nationalism, Metropol FM carefully avoids any project. controversial political-cultural or religious issues that may lead to discredit and/or polarization among the target audience. The reason for this is clearly commercial: if the station's target audience is Turkish-speaking immigrants from Turkey, it cannot alienate them by offering any any process that might raise concerns about a controversial topic such as Kurdish independence in Turkey or the difference between Alevi and Sunni Muslims.
Metropol FM's success in bringing to its audience both the general public and the casual, as well as creating an audible presence in the city, has thus contributed to a sense of belonging among the people. urban Turkish speaking from Turkey. It allows listeners to imagine themselves as part of an imaginary minority community that is both normal and overt, a feeling that has been emphasized by scholars such as Peter Anderson in relation to the context of sound mediating context. daily routines (Anderson, 1991).
Although it did not meet Habermas' criteria for the public function of the media, Metropol FM played an important role in contributing to the public perception of Turkish-speaking citizens living in Berlin is both an urban space and a distinct ethnic group. It's also the best example I've found of creating a publicly available, mediated soundscape that allows the imaginations of this imaginative minority to animate everyday life. .